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Dred, a Tale of the Great Dismal Swamp, by Harriet Beecher Stowe
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Dred: Tale of the Great Dismal Swamp By: Harriet Beecher Stowe Publisher: Houghton, Mifflin and Company Copyright: 1889 Pages: 607
- Published on: 1889-01-01
- Binding: Hardcover
- 607 pages
Most helpful customer reviews
24 of 25 people found the following review helpful.
Right On, Harriet
By Robert L. Fleisher
A compelling and highly readable indictment of slavery in America, "Dred" takes risks that "Uncle Tom's Cabin" did not. The ending of "Dred" is powerful and strong, unlike that of "Uncle Tom", which seemed to advocate ultimately that the slaves should be freed and encourged to return to Africa. Harriet Beecher Stowe is just as sharp in her criticism of the North and she is to the South. She is quick to condemn the passive profiteers of slavery as she is the slaveholder himself. I throughly enjoyed this book. I will read it a secod time.
13 of 13 people found the following review helpful.
The other book by Harriet Beecher Stowe
By J. Greene
While Uncle Tom's Cabin will likely remain Harriet Beecher Stowe's best known work, her 1856 novel Dred should not be overlooked. If you like this time period, you should like Dred. Stowe avoids the heavy-handed authorial commentary that characterizes Uncle Tom's Cabin; in other words, she lets the events of the story speak for themselves. The story is slow-burning plantation drama--again, if you're a fan of 19th century literature, you'll love Dred. Dred compares favorably to Moby-Dick, as both novels turn on gradual plots where the reader's bond to the characters becomes crucial. Because the plot takes awhile to develop, the true reward of the novel comes from watching the characters grow and evolve.
This edition features an introduction and notes by Robert Levine, which do a great job of placing Stowe's work in a historical context. Dred should appeal to students of 19th century literature, and anyone else with an interest in slavery and abolition.
2 of 2 people found the following review helpful.
Fascinating Tales of Literary and Social History
By WILLIAM H FULLER
The copies of DRED that I initially found and read are scanned reproductions of 19th century editions which contain some very strange elements. These do not detract from the interest of the contents, but let's take a moment to examine them.
First, DRED was initially published in two volumes and is available in that same configuration today. The first volume is entitled DRED: A TALE OF THE GREAT DISMAL SWAMP, VOLUME 1, and is available only as a softbound book. It has been scanned from an 1856 printing and includes a modern note at the beginning that the contents are in the public domain and may be freely copied and distributed. The second volume is entitled DRED; A TALE OF THE GREAT DISMAL SWAMP, TOGETHER WITH ANTI-SLAVERY TALES AND PAPERS, is a hardbound book, and is copyrighted by BiblioLife, LLC. It is a scanned copy of an 1896 printing. So we have the first volume of the book with no copyright and the second with one. Because the two volumes are reproduced from original publications that appeared 40 years apart, the typeface differs, but both of the now-antique fonts are still easily read.
Volume 1 includes chapters I through XXIII. Volume 2 includes chapters XXXVII through LVII. There seem to be XIV (that would be 14) chapters missing! Perhaps the fact that Volume 1 is a reproduction of an 1856 printing and Volume 2 of an 1896 printing accounts for this, assuming the 19th Century publishers rearranged some chapters between the two volumes. Fortunately for us, the early chapters of Volume 2 include enough reminiscences and recapitulations that we can easily figure out the major events that occurred within those 14 missing chapters so that the story line is still easily grasped. (And perhaps other editions that are now available have corrected this omission.)
Stowe obviously wrote DRED before the outbreak of the Civil War, and her obvious intent was, of course, to portray the evil inherent in the on-going and quite legal practice of slavery. We quickly meet Harry, an intelligent, well spoken man who not only keeps the financial accounts for Miss Nina, the plantation owner, but takes it upon himself to bail her out financially when her lack of financial acumen causes her to overreach her means. We also meet Tom Gordon, Nina's brother, a coarse, uncouth, corrupt individual, quite the opposite of Harry. The chief difference is that Harry is a slave, and Tom Gordon is a free white man. There is surprising link that ties these characters together, but let me not spoil the surprise for those who have not yet read the tale.
Not only does the plot of the story entice the reader onward to learn what comes of our protagonists, but interest resides even in Stowe's now-archaic mode of writing. Mentally comparing the expressions of contemporary novelists with those of the mid-19th century is always interesting and often amusing.
The second volume contains quite a few pleasant surprises, for, after the novel of DRED comes to its conclusion, the reader finds a series of other writings by Stowe, including a marvelously drawn word picture of Sojourner Truth and a very pointed essay dealing with the hypocrisy of Christian churches (of all denominations) in their demonstrated positions toward the institution of slavery. The volume ends with a series of essays describing life in Florida after the war in the 1870s. These were apparently written as columns for publication in The Christian Union, though where that newspaper was published and distributed I could not determine. They are the only writings having no direct relevance to slavery but are sufficiently interesting in their own right if one is at all curious as to what life in Florida was like 150 years ago (and it was rather different from today's Florida). These additional writings appear in the volume printed by BiblioLife, LLC, and I do not know if they are in other editions of the book.
All in all, I found DRED to be a very good novel, the missing chapters notwithstanding, and the additional writings in Volume 2 give one a very good understanding of abolitionist literature in the years leading up the the Civil War. These surely exemplify the types of publications which Southern postmasters were forbidden to deliver to their recipients and were ordered to destroy when they appeared in incoming mail bags.
Despite the fact that we must deal with two volumes reproducing 19th Century works which were themselves printed 40 years apart and despite the missing chapters in DRED, I found that both the novel and the additional writings held my interest throughout, sharpened my appreciation of what real abolitionist writing looked like, and taught me a bit more about both history and literature in the 1800s. I'm happy to have expended the time to read both volumes and recommend them to all who are interested in the abolitionist genre. One final word of caution, however: Abolitionist though she was, Stowe was a white woman from a privileged background, and some of her unspoken assumptions and choices of words relative to her subject matter are no longer felt to be appropriate in modern society. If one is easily insulted by such usage, he may not find the books as enjoyable as I have portrayed them.
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