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The fugitive poets : modern Southern poetry in perspective, by William Pratt
Download PDF The fugitive poets : modern Southern poetry in perspective, by William Pratt
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This book was originally published prior to 1923, and represents a reproduction of an important historical work, maintaining the same format as the original work. While some publishers have opted to apply OCR (optical character recognition) technology to the process, we believe this leads to sub-optimal results (frequent typographical errors, strange characters and confusing formatting) and does not adequately preserve the historical character of the original artifact. We believe this work is culturally important in its original archival form. While we strive to adequately clean and digitally enhance the original work, there are occasionally instances where imperfections such as blurred or missing pages, poor pictures or errant marks may have been introduced due to either the quality of the original work or the scanning process itself. Despite these occasional imperfections, we have brought it back into print as part of our ongoing global book preservation commitment, providing customers with access to the best possible historical reprints. We appreciate your understanding of these occasional imperfections, and sincerely hope you enjoy seeing the book in a format as close as possible to that intended by the original publisher.
- Sales Rank: #7008388 in Books
- Published on: 2012-09-24
- Released on: 2012-09-24
- Original language: English
- Dimensions: 10.00" h x .38" w x 7.50" l,
- Binding: Paperback
- 166 pages
From the Back Cover
This new edition of William Pratt's indispensable anthology of Southern poetry, The Fugitive Poets, contains an expanded selection of poems and poets not included in the original, including six poems by Laura Riding, the only female member of the Fugitive group. Originally published in The Fugitive magazine from 1922 to 1925, the group dominated by Robert Penn Warren, John Crowe Ransom, Donald Davidson, and Allen Tate formed the major school of 20th Century poetry in America. This collection chronicles the impact of literary modernism on these (mostly) Southern poets as their region was taking its "backward glance" before stepping over into the modern world.
About the Author
William Pratt was born in Shawnee, Oklahoma, in 1927, and earned a Bachelor's degree in English in 1949. At Vanderbilt University for graduate study, he received an M.A. in English in 1951, and a Ph.D. in 1957. Since 1968 he has been Professor of English at Miami University in Oxford, Ohio, publishing essays, reviews and translations in books and periodicals. He has lectured widely on Modern Poetry in the United States and Europe.
Most helpful customer reviews
18 of 18 people found the following review helpful.
Wistful, realistic, pregnant with classical allusions
By masher@nwfl.net
The Fugitive was a magazine published between 1922 and 1928 in Nashville, Tennessee. The collaborators centered in and around Vanderbilt University and included such luminaries as John Crowe Ransom, Robert Penn Warren, Allen Tate, and Laura Riding. The magazine served as a refiner's crucible for these and other intellectuals who would later influence the Southern Agrarian movement. The themes of the Southern Agrarians appear in poetic form in many of the works included in this fine collection. A reluctance to concede to the spiritual demands of modernity, a distrust of the machine-age, and a wistful remembrance of an almost forgotten Southern sensibility strike the reader with the force of a blow. These poets, while attempting at times to render a specific regional voice, more often than not delve deeper into the "mannishness of man." Their poems are realistic, conscious of the fallenness of the South and those who live in it. Particularly powerful are the poems of Ransom. "The Equilibrists" is perhaps the finest poem written in America about the regrets of lust, sin, and stoically held honor. Ransom's poems about death, and there are many of them included here, evoke the sense of family, loss, and the cycles of the living as surely as do his portraits of decrepit mansions and overgrown gardens. These poets also self-consciously upbraid themselves and each other for the arrogance of youthful intellectual and artistic promise and the vanity of a life whose hopes are pinned on words. The Fugitives were reactionary in their use of the classical tradition. The reader may have to refresh a working knowledge of Ovid and Virgil in order to fully enjoy what is a remarkable collection of poetry.
1 of 1 people found the following review helpful.
Good Southern poetry
By Al
Read while deployed. Great overview of the Fugitives. I'm already a fan of John Crowe Ransom and Allen Tate. A good sampling of the poetry of the Fugitives during their heyday in the mid 1920's. Necrological and Old Mansion are my favorite Ransom poems and both are in this edition. Additionally, it includes Donald Davidson's Lee in the Mountains 1865-1870 and his tribute to Allen Tate: Lines Written for Allen Tate on his Sixtieth Anniversary. The Fugitives were regionally distinctive and pushing against the boundaries of the Old South. Four of the Fugitives were part of the Agrarian movement, which also inlcuded (at least intellectually) the poet Wendell Berry. These are poems to be savored.
3 of 3 people found the following review helpful.
Remarkable Poetry Collection
By Kevin M. Derby
William Pratt does a remarkable job in collecting the leading poems from the Fugitive Poets, the collection of intellectuals and writers who were based around Vanderbilt University in the 1920s. The leading poems of Allen Tate, Robert Penn Warren, Donald Davidson, John Crowe Ransom and others are here. Some of the poems can be found in other collections of course but Pratt's book offers a comprehensive look at these poets who greatly shaped American and Southern literature in the 20th century. Pratt offers a very solid introduction in which he reminds readers to think of the poets as different than the Agrarian circle that published "I'll Take My Stand" a few years after the Fugitive magazine went under. This is one of the finest anthologies of 20th century American poetry that I have come across. This review covers the third edition of "The Fugitive Poets" which was released in 1991.
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